Makna Simbolik Seni Wayang Golek (Studi Kasus: Kecamatan Sukadana Kabupaten Ciamis Jawa Barat)
Abstract
Wayang art is a valuable cultural heritage from the archipelago. One of the producers of wayang art is Tatar Galuh, Ciamis. There are many wayang art groups in Ciamis, one of which is the Gentra Pusaka Galuh Wayang Golek Art group, Sukadana District, Ciamis Regency, West Java Province, Indonesia. At this time how important it is to preserve traditional art amidst social changes and modern technology. Wayang golek is not only an art performance, but also a symbol of cultural identity that connects previous generations to the current generation. However, this art faces great challenges from changes in modern lifestyles and changes in people's interests. Based on this background, the author is interested in studying and understanding: (1) the existence of wayang golek in Sukadana, (2) obstacles in current development, and (3) the efforts made. Wayang golek is an art that has long existed, especially in the Tatar Galuh region, especially Sukadana. Various conservation efforts can be carried out including educational approaches, collaboration with youth and modern technology. In this article it is also discussed that the government has an important role in the development of art in its region. The research was conducted at the Gentra Pusaka Galuh Art Group in Ciilat Hamlet, Sukadana Village, Sukadana District, Ciamis Regency, West Java Province, Indonesia. The research uses a qualitative approach with a descriptive type. Data collection techniques through observation, interviews and document study. In this research, researchers used primary and secondary data sources. Primary data sources were obtained from observations and interviews. Meanwhile, secondary data sources were obtained from supporting documents in the form of photos and research reports on the same research subjects.
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