Representasi Paradoks dan Harmoni Dalam Berkarya
DOI:
https://doi.org/10.25124/rupa.v6i2.3336Keywords:
Representation, Artworks, Paradox, Painting, HarmonyAbstract
Abstract. The current study focuses on representation about visual artwork regarding its value of paradoxes and harmony. We use material object which is strongly contradictive as usual to get a unique aesthetic value through compotition, harmony, and color in paiting. The present study also uses descriptive qualitative method to analyze the value of human internal organs as a big topic of painting. Result shows that representational mimesis is closely related to the paradoxical context that is arranged in harmony between one field and another with consideration of aesthetic values. Also, succesfull work in this study is strongly linked with ideas (human’s organ) and visual (painting) which creates a perception of beauty regarding human’s organ as an inspiration of artworks.
Downloads
References
Diyanto, Seni Lukis dan Obsesi Abadinya. Dalam Untuk Apa Seni?, Bandung: Matahari, 2014.
M. Hauskeller, Seni-Apa itu?. Terjemahan Graha dan J.Wizemann, Daerah Istimewa Yogyakarta: PT. Kanisius, 2015-2016.
D. S. Kartika, Seni Rupa Modern (Edisi Revisi) Cetakan Pertama Edisi Revisi, Bandung: Rekayasa Sains, 2017.
W. V. Quine, The Ways of Paradox and Other Essays. Cetakan Pertama, New York: Random House, 1966.
T. Astari, "Sintesis Paradoks Keindahan dan Medium," Jurnal Tingkat Sarjana Bidang Seni Rupa, no. Bandung: Academia, 2013.
S. J. Eggleston, "The Social Context of The School," London: Routlege & Kegal Paul, 1969.
S. d. S. M. Milani, Drawing Theory.An Introduction. Drawing Theory, Footprint p.p. 1-8.Sugiharto, B. 2015. Untuk Apa Seni?, Bandung: Cetakana ketiga.Pustaka Matahari, 2010.
Littlejohn, Stephen W & Karen A. Foss. Teori Komunikasi, edisi 9. Jakarta: Salemba Humanika. 2009.